HOUSE
of BOOKS - TUDOR TERROR
An historical fiction series set in the North of England in Tudor times
(In 2008 the series is out of print but may find a new publisher and a new edition in 2009)
Re-released in 2006 as "Tudor Chronicles"
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THE
PRINCE OF RAGS AND PATCHES
Orion - Tudor Terror
Historical novel based on the murder of the Princes in the
Tower

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THE
KING IN BLOOD RED AND GOLD
Orion - Tudor Terror
Novel based on Henry VIII, the Scottish Wars and the Border
Reivers

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THE
LADY OF FIRE AND TEARS
Orion - Tudor Terror
Historical novel based on Mary Queen of Scots, and the spy trade

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THE
KNIGHT OF STARS AND STORMS
Orion - Tudor Terror
Novel based on The Armada, Drake, piracy and the Spanish problem

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THE
LORD OF THE DREAMING GLOBE
Orion - Tudor Terror
Novel based on Shakespeare, London plagues and the Essex rebellion

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THE
QUEEN OF THE DYING LIGHT
Orion - Tudor Terror
Historical novel based on John Dee's witchcraft plots, and Elizabeth
I

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FICTION
Do
you like "horrible" history but prefer stories? Then why
not read books that are "historical fiction"? The Tudor
Terror series is set in the dying days of the Tudors when England
is gripped by one great fear ... what will happen when old Queen
Elizabeth I dies? Will the savage Scots invade? Will the Catholics
fight to take back power and return to the Protestant massacres
of Bloody Mary Tudor?
These
exciting stories give some of the answers. Set in northern England
in the early 1600s they are packed with excitement, mystery, great
characters ... and an amazing amount of fact.
PEOPLE
SAY - Tudor Terror - The King in Blood Red and Gold
"Those
of you who read Terry Deary's "Horrible
Histories" will be shooting right out to the shops for
his new Tudor Terror range. A series of gruesome mysteries set in
the 1600s, you'll learn more about the skirmishes between Scots
Reivers and English cattle thieves than in years of history lessons.
A galloping good tale that'll keep you completely enthralled."
The Times
DID
YOU KNOW ...?
In
order to turn the "Tudor Terror" books into a television
series, Terry Deary set up his own television production company,
Marsden Productions Ltd. and is talking to the BBC right now about
it all. Watch this space!
SUPER
SAMPLE
From
Tudor Terror Book 1 - "The Prince of Rags and Patches"
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There
was a hammering on the front door loud enough to make the
wine jars on the table tremble.
And through the thick oak doors a word wafted through. And
the word was, "Murder!"
I was the first to reach the door. I lifted the bar and Robyn
Smith practically fell into the hallway. He came in with a
swirl or rustling leaves and the smell of smoke from his blacksmith
forge still clinging to his clothes. He was still wearing
his leather apron and it was stretched like a drum skin over
his enormous belly. His grizzled hair was wiry and his beard
thick at the sides but wispy at the front where it was constantly
singed away by the heat of the forge.
The huge man looked straight past me to my father. "Murder,
Sir James!" he said.
My father gripped the man by his massive arm as a terrier
may try to grip the leg of a bull and tried to shake him.
"Hush, man, there are ladies here. We don't want to frighten
them."
"Sorry, sir," the man rumbled and allowed himself
to be led to the table while I barred the door behind him.
The blacksmith's forehead ran with sweat though the evening
air had chilled me clean through my velvet doublet.
My father turned to grandmother and said, "If you would
take Marion to the library then I can question the constable
here."
Grandmother looked at him with a look of scorn. The white
lead powder on her on her face cracked as she bared her gums.
"Don't be stupid, son. We haven't had a good murder in
these parts since the miller buried his wife on Framwellgate
Moor. I want to hear what the constable has to say."
Father glared at her but saw he was going to lose that battle.
He turned back to Robyn Smith and asked, "Now, Constable,
what's this about? Who's been murdered."
"Oh, I don't know that, sir!" the startled man said,
his moon-round face framed by the grey circle of hair and
beard. The man was powerful and clever in a sly sort of way.
There were very few crimes happened in the village that Constable
Smith didn't know about. But there were always stories that
a little gold could persuade him to turn his head and look
the other way. As a result the rich rogues carried on with
their crime and grew richer while the poor villains were punished.
My father never went into the village if he could help it
so he never understood how his constable grew fat on the crimes
of others.
"You don't know!" my father frowned.
"No I don't," the blacksmith said, shaking his huge
head slowly.
"I thought you said there's been a murder."
"There has."
"Now you say you don't know who's been murdered."
"I don't."
"So there hasn't been a murder."
"There has."
"So, who's been murdered."
"I don't know!"
My father's face was turning red with rage while the constable's
singed eyebrows rose higher into his forehead. "Let's
start again, shall we?" my father said.
"There has been a murder."
"Yes, sir."
"How do you know?"
"Because John the Shepherd found the body."
"And whose body did John the Shepherd find?"
"I been trying to explain, sir. I don't know."
My father spoke very slowly as if he was talking to a simple
child. "Why ... not?"
The constable thought this was anew way of reporting. He spoke
just as slowly in reply. "Because ... he ... is ... a
... stranger ... sir."
Grandmother cackled softly and the rest of the family pressed
their lips tightly so he wouldn't see us laughing.
My father sniffed and drew himself up straight. "And
where did you find this stranger?"
"Hidden under some branches in Bournmoor Woods, sir.
A hundred paces west of Widow Atkinson's house. She was gathering
herbs when she uncovered the body."
Our visitor, Humphrey Vere leaned forward suddenly. "Is
that where I was robbed earlier this evening?"
"It is," my father said.
"I wonder if there's any connection?" the stranger
said.
"I had thought of that myself," my father said stiffly.
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